Film Festivals

Last night, I was a bit of the accidental star reporter!

As the Paparazzi excitedly hung over the roped barrier straining to catch sight of celebrities, and cameramen from Local, National, and International outlets set up their tripods and readied themselves for an onslaught of high-profile industry types to stride down the red carpet, I casually responded to a publicist's offer to interview the composer for the score of Ed Zwick's new feature (Defiance) premiering at the AFI's gala closing event.

Suddenly - without warning - an elegant elderly woman strolled in my direction.

Was this the composer?

As the handsome lady drew nigh, there appeared to something awfully familiar about this guest.

In a few scant seconds - when her name flashed inside my head (which was spinning out-of-control now) - I suddenly found myself face-to-face with Oscar-winner - Vanessa Redgrave!

Oh my gosh!

Thrown off guard a tad, I struggled to regain some balance - after all, it was quite the surreal moment - and took a stab at an interview without much preparation.

So, can you tell me a little about your outfit?

"Darling, there's this wonderful film screening tonight. And you want to talk about my outfit?"

Without skipping a beat - and as eloquently as possible - I noted that makeup, hair, and designer outfits were all part of the magic and glamour of Hollywood which my readers were keen on.

"I think we should support other professionals in the industry," I added as persuasively as possible.

Ms. Redgrave reflected on the thought for a moment, appeared to digest it a little, then was inclined to go along.

"Well, you can tell them I was wearing a silver cardigan with slacks, then."

But, it wasn't just any old sweater-pant "look".

The cardigan was sprinkled here and there with a spray of "stardust" which sent out a thousand points of light as the equally dazzling Redgrave floated charismatically on down the carpet.

When the great lady moved on to other climbs, reporters all around handed off kudos and nods of approval.

One female on-camera reporter to the right of me, a bit wet behind the ears, appeared to be a bit miffed that she missed the golden opportunity that I snatched up.

Carpe diem, Miss!

On the heels of Redgrave's unexpected appearance, there were a number of loud shouts farther down the walk, where sleek limos were purring up to the curb which was bubbling over now with frenzied fans.

Matt Dillon was hustled past the paparazzi and straight into the theatre for some inexplicable reason.

The sexy film star was a little disheveled looking, but I expect it was the mad dash for the inner sanctum, which conjured up the image.

Likewise, Juno star Ellen Page - petite and pretty - was rushed past the media and out of harm's way before most caught sight of her.

In spite of handlers' efforts to muzzle and shield her from the press corps, she grinned my way, though.

Thanks, I'll cherish that, Ellen!

When Alexa Davalos (female lead opposite Daniel Craig) glided up to chat, fans behind me went wild.

"Alexa! Alexa!"

The French-born actress is on her way to super-stardom!

At 26, she has five years of television roles on her résumé. But Defiance should catapult her to dizzying new climbs.

What a stunning beauty.

The first thing you notice are the luminous eyes which speak volumes.

The Defiance star wore a elegant black dress which was complemented by a lustrous mane of long silky hair.

"It was a three-month shoot in the forest. My character is a spirited strong-willed girl."

"Like you, right?" I chided.

She beamed back, slightly amused.

Ed Zwick - the man-of-the-hour - walked up and shook my hand.

Generous to a fault - the patient producer glad-handed the paps (paparazzi) and the cubs (green reporters) and high-profile feature writers - until each had been satiated of their desire to rub shoulders with a least one power-broker in attendance at the Cinerama Dome.

"It was eight-to-ten years in the making. Defiance was picked up at a major studio early on; but, that source was abandoned later. A major obstacle was funding."

Daniel Craig was always their first choice to play the meaty role.

When the challenges flew fast and furious, Mr. Craig's commitment was firm, too.

"He said he would take on an executive position - at a desk even - if necessary. Getting the project to the big screen was key to him."

Why another holocaust story?

"There were ties to our ancestors, it was part of our heritage. And, the tale appealed because it was unique."

Screenwriter Clayton Frohman noted that while dialogue was not from the horse's mouth, per se, he went with the spirit of the subject matter to recall events as realistically and passionately as possible.

This tale was nearly lost, the producers noted poignantly.

Mia Wasikowska - who also plays a Polish girl alongside Alexa in the much-anticipated drama - was darling!

Her milky white skin and fine features were a stand-out in inky dark night.

If she didn't act, what would she do?

"I'd be a photographer," she noted seriously.

Ed Asner strolled by in a crotchety mood. This was all old hat for the popular character actor, I expect. But he showed up to support the filmmakers amid the glitz and glamour none-the-less.

When the last guest strolled into the theatre, and the doors were slammed tight by the ushers, I suddenly realized something funny.

I never did get to interview the composer!

To the delight of filmgoers who thrive on off-beat Independent feature-length films with Art House sensibilities, the Gotham Independent Film Awards Series returns to the "Big Apple" once again.

The 18th Annual Fest - which kicks off November 20th and runs through December 6th - is the Nation's oldest and largest organization of independent filmmakers.

For film buffs, Gotham is not only a must-attend Festival, but one of the social events of the year.

In addition to a scintillating round of screenings throughout the week, there will be a host of glittering cocktail parties and tony Award Celebrations sure to intoxicate and swell any pretty little head.

Gotham Award Tributes go out to Gus Van Sant, Sheila Nevins, Melvin Van Peebles, & actress Penelope Cruz.

The nominees for Best Feature include Ballast, Frozen River, Synecdoche (New York), The Visitor, and the Wrestler (Micky Rourke).

A handful of exceptional directors have been given the nod in the "Breakthrough Director" category, as well; for instance, Barry Jenkins, Alex Rivera, Lance Hammer, Dennis Dortch, and Antonio Campas.

The "Breakthrough Actor" category has rustled up a few intriguing choices, too.

Rosemarie Dewitt, Rebecca Hall, Michael J. Smith, Sr., Alejandro Polanco, Melissa Leo, and Pedro Castaneda will compete for the coveted prize.

For the third year, IFP teams with MoMA to select the year's best films off the festival circuit which have yet to be released theatrically. (Best Film Not Playing at a Theatre Near you)

Films such as the New Year Parade, Afterschool, Meadowlark, Wellness, and Sita Sings the Blues, are sure to attract large enthusiastic audiences at the eclectic gallery at the heartbeat of the city.

"Best Documentary" hopefuls include "Chris & Dan: A Love Story", "Encounters at the End of the World", "Man on Wire", "Roman Polanski: Wanted and Desired", and "Trouble the Water".

The Gotham Awards are selected by distinguished juries.

The Awards began in 1991.

The public showcase honors the independent filmmaking community and expands the audience for independent films.

In addition, the Gotham Awards Festival supports the work that IFP does behind the scenes throughout the year to bring such films to fruition.

Founded as a satellite program of the 1979 New York Film Festival, the nonprofit IFP, has evolved into a premier advocate for Independent Film.

Since its start, IFP has supported the production of 7,000 films and provided resources to more than 20,000 filmmakers' voices that otherwise might not have been heard.

IFP believes that independent films broaden the palette of cinema, seeding the global culture with new ideas, kindling awareness, and fostering activism.

Currently, IFP represent a network of 10,000 filmmakers in New York City and around
the world.

Through its workshops, seminars, conferences, mentorships, and Filmmaker Magazine - the IFP - schools its members in the art, technology, and business of independent filmmaking.

IFP also builds audiences by hosting screenings, usually in collaboration with other major cultural institutions, in Gotham City.

Venues
Director's Guild Theatre
(110 West 57th Street, NYC)
MoMA
(11 West 53rd Street, NYC)
BAMcinematek
(30 Lafayette Avenue, NYC)
Tribeca Screening Room
(375 Greenwich Street, NYC)


				*POP CULTURE* *Film Festivals*



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		AFI Fest Gala premiere of Defiance! Last night, I was a bit of the accidental star reporter! As the Paparazzi excitedly hung over the roped barrier straining to catch sight of celebrities, and cameramen from Local, National, and International outlets set up their tripods and readied themselves for an onslaught of high-profile industry types to stride down the red carpet, I casually responded to a publicist's offer to interview the composer for the score of Ed Zwick's new feature (Defiance) premiering at the AFI's gala closing event. Suddenly - without warning - an elegant elderly woman strolled in my direction. Was this the composer? As the handsome lady drew nigh, there appeared to something awfully familiar about this guest. In a few scant seconds - when her name flashed inside my head (which was spinning out-of-control now) - I suddenly found myself face-to-face with Oscar-winner - Vanessa Redgrave! Oh my gosh! Thrown off guard a tad, I struggled to regain some balance - after all, it was quite the surreal moment - and took a stab at an interview without much preparation. So, can you tell me a little about your outfit? "Darling, there's this wonderful film screening tonight. And you want to talk about my outfit?" Without skipping a beat - and as eloquently as possible - I noted that makeup, hair, and designer outfits were all part of the magic and glamour of Hollywood which my readers were keen on. "I think we should support other professionals in the industry," I added as persuasively as possible. Ms. Redgrave reflected on the thought for a moment, appeared to digest it a little, then was inclined to go along. "Well, you can tell them I was wearing a silver cardigan with slacks, then." But, it wasn't just any old sweater-pant "look". The cardigan was sprinkled here and there with a spray of "stardust" which sent out a thousand points of light as the equally dazzling Redgrave floated charismatically on down the carpet. When the great lady moved on to other climbs, reporters all around handed off kudos and nods of approval. One female on-camera reporter to the right of me, a bit wet behind the ears, appeared to be a bit miffed that she missed the golden opportunity that I snatched up. Carpe diem, Miss! On the heels of Redgrave's unexpected appearance, there were a number of loud shouts farther down the walk, where sleek limos were purring up to the curb which was bubbling over now with frenzied fans. Matt Dillon was hustled past the paparazzi and straight into the theatre for some inexplicable reason. The sexy film star was a little disheveled looking, but I expect it was the mad dash for the inner sanctum, which conjured up the image. Likewise, Juno star Ellen Page - petite and pretty - was rushed past the media and out of harm's way before most caught sight of her. In spite of handlers' efforts to muzzle and shield her from the press corps, she grinned my way, though. Thanks, I'll cherish that, Ellen! When Alexa Davalos (female lead opposite Daniel Craig) glided up to chat, fans behind me went wild. "Alexa! Alexa!" The French-born actress is on her way to super-stardom! At 26, she has five years of television roles on her résumé. But Defiance should catapult her to dizzying new climbs. What a stunning beauty. The first thing you notice are the luminous eyes which speak volumes. The Defiance star wore a elegant black dress which was complemented by a lustrous mane of long silky hair. "It was a three-month shoot in the forest. My character is a spirited strong-willed girl." "Like you, right?" I chided. She beamed back, slightly amused. Ed Zwick - the man-of-the-hour - walked up and shook my hand. Generous to a fault - the patient producer glad-handed the paps (paparazzi) and the cubs (green reporters) and high-profile feature writers - until each had been satiated of their desire to rub shoulders with a least one power-broker in attendance at the Cinerama Dome. "It was eight-to-ten years in the making. Defiance was picked up at a major studio early on; but, that source was abandoned later. A major obstacle was funding." Daniel Craig was always their first choice to play the meaty role. When the challenges flew fast and furious, Mr. Craig's commitment was firm, too. "He said he would take on an executive position - at a desk even - if necessary. Getting the project to the big screen was key to him." Why another holocaust story? "There were ties to our ancestors, it was part of our heritage. And, the tale appealed because it was unique." Screenwriter Clayton Frohman noted that while dialogue was not from the horse's mouth, per se, he went with the spirit of the subject matter to recall events as realistically and passionately as possible. This tale was nearly lost, the producers noted poignantly. Mia Wasikowska - who also plays a Polish girl alongside Alexa in the much-anticipated drama - was darling! Her milky white skin and fine features were a stand-out in inky dark night. If she didn't act, what would she do? "I'd be a photographer," she noted seriously. Ed Asner strolled by in a crotchety mood. This was all old hat for the popular character actor, I expect. But he showed up to support the filmmakers amid the glitz and glamour none-the-less. When the last guest strolled into the theatre, and the doors were slammed tight by the ushers, I suddenly realized something funny. I never did get to interview the composer! Penelope Cruz & Gus Van Sant honored at Gotham Indie Awards! To the delight of filmgoers who thrive on off-beat Independent feature-length films with Art House sensibilities, the Gotham Independent Film Awards Series returns to the "Big Apple" once again. The 18th Annual Fest - which kicks off November 20th and runs through December 6th - is the Nation's oldest and largest organization of independent filmmakers. For film buffs, Gotham is not only a must-attend Festival, but one of the social events of the year. In addition to a scintillating round of screenings throughout the week, there will be a host of glittering cocktail parties and tony Award Celebrations sure to intoxicate and swell any pretty little head. Gotham Award Tributes go out to Gus Van Sant, Sheila Nevins, Melvin Van Peebles, & actress Penelope Cruz. The nominees for Best Feature include Ballast, Frozen River, Synecdoche (New York), The Visitor, and the Wrestler (Micky Rourke). A handful of exceptional directors have been given the nod in the "Breakthrough Director" category, as well; for instance, Barry Jenkins, Alex Rivera, Lance Hammer, Dennis Dortch, and Antonio Campas. The "Breakthrough Actor" category has rustled up a few intriguing choices, too. Rosemarie Dewitt, Rebecca Hall, Michael J. Smith, Sr., Alejandro Polanco, Melissa Leo, and Pedro Castaneda will compete for the coveted prize. For the third year, IFP teams with MoMA to select the year's best films off the festival circuit which have yet to be released theatrically. (Best Film Not Playing at a Theatre Near you) Films such as the New Year Parade, Afterschool, Meadowlark, Wellness, and Sita Sings the Blues, are sure to attract large enthusiastic audiences at the eclectic gallery at the heartbeat of the city. "Best Documentary" hopefuls include "Chris & Dan: A Love Story", "Encounters at the End of the World", "Man on Wire", "Roman Polanski: Wanted and Desired", and "Trouble the Water". The Gotham Awards are selected by distinguished juries. The Awards began in 1991. The public showcase honors the independent filmmaking community and expands the audience for independent films. In addition, the Gotham Awards Festival supports the work that IFP does behind the scenes throughout the year to bring such films to fruition. Founded as a satellite program of the 1979 New York Film Festival, the nonprofit IFP, has evolved into a premier advocate for Independent Film. Since its start, IFP has supported the production of 7,000 films and provided resources to more than 20,000 filmmakers' voices that otherwise might not have been heard. IFP believes that independent films broaden the palette of cinema, seeding the global culture with new ideas, kindling awareness, and fostering activism. Currently, IFP represent a network of 10,000 filmmakers in New York City and around the world. Through its workshops, seminars, conferences, mentorships, and Filmmaker Magazine - the IFP - schools its members in the art, technology, and business of independent filmmaking. IFP also builds audiences by hosting screenings, usually in collaboration with other major cultural institutions, in Gotham City. Venues Director's Guild Theatre (110 West 57th Street, NYC) MoMA (11 West 53rd Street, NYC) BAMcinematek (30 Lafayette Avenue, NYC) Tribeca Screening Room (375 Greenwich Street, NYC)



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